I messed up my ears hanging out with guitarists. Nothing angers a guitarist like the keyboard player asking him to turn down. Then I was 30 and half deaf too.
Bands are a good place to learn that god hates you, that only rarely does man understand his fellow man. Most bands are amateur hour, without measure or law, a battle of myopic painters to see who can pitch the most neon onto a canvas too small to share, while the drummer runs forward to smear logs of fresh shit over everything in the manner of an expressive gibbon. Silence and space banished to un-imaginability.
To aid me in my solo project, to be completed by 2025 at the absolute latest, I've procured a hearing aid with a metronome implanted in it. A small remote adjusts volume, tempo, and tone. The presets include Classic (faux pendulum metronome, Digital Madness (treble-bound octaves of any note), and Dom DeLuise (in which the late actor exhorts one to 'prac-tice' repeatedly in a number of time signatures and languages).
The metronome keeps me out of trouble. A sense of time curving, stretching and contracting is a narcotic for me, and prior to the installation I would go to great and reprehensible lengths to achieve it. The metronome is handy late at night, when cartons of ice cream would otherwise go emptied, or at my desk at work, when productivity might slip for a second, or an hour, or a day. It's handy in dull social settings. The metronome adds order, dividing the world into manageable, symmetric packets, provides information I know I can trust as valid and precise.
Early on, my mother and father urged me to success, to earn, if not a position as the conductor of an elite institution such as the All South Jersey Orchestra, then at least a modicum of rhythmic dignity and respectability in whatever profession I chose. Rare to consensus in all else, they insisted on the metronome as a unified voice. Practice is useless without it, Man needeth but food, sleep, and a metronome, etc.
But if my mother ran an errand and the mood struck him, my dad would quietly lock the swinging bar of the metronome in place and leave me to practice on my own, with my own sense of time. The notes carried me out to sea, into the depths and currents of feeling. When she returned, it always took me by surprise and I would back quickly away from the piano, as if it were a man just knifed in the back.
For a while when I lived on my own, I was happy to do without a metronome. But I see now that that was a foolish waste of time. That a man with his feet on the ground is to be admired and respected, that a man at sea is in trouble, whether he knows it or not.